Three Pieces for Violin and Piano
early June--August 23, 2014
Duration: about 22 minutes
PDF Violin Part Cover
(all three have orchestral versions: see Music for
videos below are all from the premiere performance by
Eric Pritchard and Greg McCallum at Duke University,
January 11, 2015. (Program)
Audio in both videos and mp3 recorded by Rick Nelson at Duke;
sound track added to videos by VoChor.
the last decade I have preferred to write pieces from about 15 to 25 minutes
long; this is most suited to the kind of music that I write. In our fast-paced era
of minute attention spans, what people want is music of much shorter duration. Almost
all composition contests are for very short pieces. With extremely rare
exceptions, my music is not being played on other people’s concerts, where
space is very tight; and longer works require more work to prepare, which is
unrealistic for an unknown composer like me to ask of performers. Those who
visit my website or YouTube channel usually stay for two or three minutes.
Knowing this, I have frequently urged performers to consider playing single
movements, but this happens infrequently. As a result I decided to write some
short pieces for violin and piano that could be played together for the same
effect as a single piece, but which would each stand alone.
three pieces have orchestral versions.
first piece in this collection was the last to be written. I like waltzes and
have written several over the years.
second piece was inspired by the radio. On
July 6, 2014, WNYC broadcast “The World’s Most-Used Musical Sequence”, which
was an hour-long compilation of musical excerpts demonstrating the use of the
Diatonic Phrygian Tetrachord. NPR followed up with five minutes on Weekend Edition on July 20. Despite the
forbidding academic name, this series of four notes, with many modifications,
has been used for centuries by musicians all over the world.
basic sequence is four descending notes with the pattern whole step, whole
step, half step. On a piano keyboard, one example would be the four white notes
going down starting from E. This composition uses the Diatonic Phrygian
Tetrachord both unmodified and highly modified in pretty much every way I could
think of, frequently with several modifications simultaneously, in a reasonably
contemporary idiom. I will leave it to musicologists yet unborn to deal with
the analytical details, as I have some pride in not having opened a music
theory book since 1975, and I don’t want to have to look things up.
finale (the first to be written) is a modern take on the most dissonant music
written by Mozart; the final half of the final movement of his 40th
Symphony. This section starts with what is very nearly a twelve-tone row. What
I have done here, as I have done several times in the past, is to see what I
would do with the key ideas of this piece written in my own style and form.
This is by no means an arrangement of the original, but instead is an entirely
new work. (Never fear—as I have never written in the twelve-tone style, which I
find obnoxious in the extreme, I have not done so here either.)
three pieces were first performed at Duke University on January 11, 2015, by
Eric Pritchard, violin, and Greg McCallum, piano.
hold through the measure and not beyond, and do not refer to other octaves.
Eric Pritchard edited the violin parts.
Greg McCallum has performed across
North and South America, the Caribbean, Europe, and Asia in some of the world’s
most prestigious concert halls. He has won many honors in piano competitions,
frequently appears on radio and television, and his recordings have been
featured in Gramophone, Fanfare, and Clavier magazines.
dedicated teacher, McCallum maintains a private studio of advanced students who
have won honors in regional and international piano competitions. In both his
performing and teaching, McCallum has been greatly influenced by the
Feldenkrais Method of somatic education. For more information, please visit his
violinist, has been a
member of Ciompi Quartet since 1995 and was formerly the first violinist of the
Alexander and Oxford Quartets. Mr. Pritchard has taught at Miami University,
San Francisco State University, City University of New York and the North
Carolina School of the Arts. He was winner of the National Federation of Music
Clubs Award in Violin as well as the first-prize winner at the Portsmouth
(England) International String Quartet Competition and the Coleman and Fischoff
national chamber music competitions. He has performed widely as a recitalist
and as soloist with the Boston Pops and orchestras in Europe and South America.
His major teachers were Eric Rosenblith, Josef Gingold, Ivan Galamian and
Isadore Tinkleman and he holds degrees from Indiana University and the
Juilliard School. He has performed many works by Bill Robinson since 2006.