A Little Poem
Theme from 2004; composed March 9-31, 2015
Duration: about 5 minutes 30 seconds
cover photo: Neem Karoli Baba with two devotees
is the second movement of Popular Music of Planet
X. It is offered as a separate piece.
1990 I wrote several works for my friend Fred Robinson who was the
composer/arranger at Warner Robins Air Force Base in Georgia. Among these was a
work for jazz band, The Popular Music of
Planet X in three “Books”. The idea was the rather whimsical one that
somewhere among the myriad planets there could be a civilization where the
prime incentive for the music industry was not
mercenary. Clearly such a planet must be far far away. The Air Force didn’t
seem to appreciate the effort, and the score and parts were returned. (When you
bomb with the Air Force….you REALLY
summer of 2004 and I once again was writing music, and turned my attention to
the old PMPX. I made many major
alterations and had a brand new version. However, this work remained
unperformed, difficult to play, and of no interest to jazz bands. Thus in 2015
I decided to try again; the piece is now for concert band, which is much better
suited to the idiom. The only surviving movement from the old version is much
of Bump and Grind, which is the last
part of PMPX. The opening theme of A Little Poem dates from the 2004 jazz
band PMPX, and otherwise is newly composed in 2015.
am offering A Little Poem as a
separate work, since the larger PMPX
might be too long to fit on many programs, or to submit to composition
contests. It is of the same orchestration as the other movements of PMPX, except that there are two instead
of three trumpets. The second alto saxophone has only a few measures of music,
and in a pinch his part can be played by clarinets.
There is a version of A Little Poem for woodwind quintet and piano.
The String Bass part is intended for
an acoustic bass. An electric bass may not be used in its stead. If an
electronic keyboard is used instead of an acoustic piano, it should have a
concert grand piano sound. However, the preference is strongly in favor of a
real piano. Accidentals hold through the measure and not beyond. This is a C
score with the usual transpositions in the parts. If a conductor requires a
transposed score, I will provide one, with considerable grumbling.